Rooted in explorations of femininity, mortality, and the human experience, my work engages the body not as a fixed figure alone, but as something felt, remembered, and constantly evolving. I am interested in how the body becomes a vessel for transformation and discovery, where organic forms naturally emerge from gesture and intuition shaped by the passage of time, internal states and memory. 

My current practice has shifted towards intuitive painting, where much of my work is still largely informed by the body, though it moves beyond strict figural representation. I create works that heavily reference anatomical and biological forms, all emerging through a process guided by  response rather than control. With this, I allow my paint both in the underpainting and subsequent layers to move, diffuse and adapt in its unpredictable nature as an active collaborator in my process. The resulting works converge micro and macro perspectives, where cellular, visceral and bodily structures mirror larger systems of growth, decay and renewal. Through this convergence, I aim to achieve a deeper exploration of internal versus external processes. 

While my collection of work is rooted in my own personal feelings and lived experiences, it resists a singular meaning. I intentionally leave my work open-ended by utilizing the viewer’s sense of recognition of general forms, color palettes and internal associations. In this way, the body, to me, becomes the subject and the material. Each step is informed by the last, responsive at every stage where the painting can evolve fluidly in its formation but with an orchestrated direction to accentuate its overall form. Many of my finished works land in the in-between, an unfixed space that suspends between an open landscape and an embodied being. I hope to mirror my act of making to the transformation, impermanence and becoming of our life force.